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matthew/19/providence/cinema&existentialism

May 20

film-goon:

Tokyo Drifter (1966) dir. by Seijun Suzuki 


“I have been and still am a seeker; but I have ceased to question stars and books: I have begun to listen to the teaching my blood whispers to me.” Herman Hesse, from Damian (via violentwavesofemotion)

“I don’t admit to being hopeless, though: only the spectacle is a profoundly strange one; and as the current answers don’t do, one has to grope for a new one, and the process of discarding the old, when one is by no means certain what to put in their place, is a sad one.” Virginia Woolf (via arpeggia)

(via halfhandsome)


“Ah, nostalgia never hurts as much as it does for things that never existed!” Fernando Pessoa (via in-signifikance)

May 19

filmandimage:

1967 | 2 OR 3 THINGS I KNOW ABOUT HER | Jean-Luc Godard


“Words, words. They’re all we have to go on.” Rosencrantz and Guildenstern Are Dead, Tom Stoppard (via crowsandallies)

mattystanfield:

It’s true. I think about suicide. I’ve often thought about it. It’s  disgusting. It’s very degrading. But, it is everlastingly the same.”

Cries and Whispers / Viskningar och rop 

Ingmar Bergman | 1972

Sven Nykvist | Cinematography


“The fable of the little girl who liked sunlight, so she pulled down the blinds, to keep it all in for herself.” Ezra Pound (via maralie)

(via blacktout)


“You are at once both the quiet and the confusion of my heart.” Franz Kafka (via inshoeboxes)

May 18

a vote for the gentle light
burned senseless by other people’s constant
depression,
I pull the curtains apart,
aching for the gentle light.
it’s there, it’s there
somewhere,
I’m sure.

oh, the faces of depression, expressions
pulled down into the gluey dark.
the bitter small sour mouths,
the self-pity, the self-justification is
too much, all too much.
the faces in shadow,
deep creases of gloom.

there’s no courage there, just the desire to
possess something––admiration, fame, lovers,
money, any damn thing
so long as it comes easy.
so long as they don’t have to do
what’s necessary.
and when they don’t succeed they
become embittered,
ugly,
they imagine that they have
been slighted, cheated,
demeaned.

then they concentrate upon their
unhappiness, their last
refuge.
and they’re good at that,
they are very good at that.
they have so much unhappiness
they insist upon your sharing it
too.

they bathe and splash in their
unhappiness,
they splash it upon you.

it’s all they have.
it’s all they want.
it’s all they can be.

you must refuse to join them.
you must remain yourself.
you must open the curtains
or the blinds
or the windows
to the gentle light.
to joy.
it’s there in life
and even in death
it can be
there.

Poem by Charles Bukowski. 


“I multiplied myself to feel myself,
To feel myself I had to feel everything,
I overflowed, I did nothing but spill out,
I undressed, I yielded,
And in each corner of my soul there’s an altar to a different god.”
Fernando Pessoa (via inshoeboxes)

“Shyness has a strange element of narcissism, a belief that how we look, how we perform, is truly important to other people.” Andre Dubus (via sisyphean-revolt)

(via sisyphean-revolt)


“Oh, Karamazov, I am profoundly unhappy. I sometimes fancy all sorts of things, that every one is laughing at me, the whole world, and then i feel ready to overturn the whole order of things.”
… “Karamazov ,tell me, am I very ridiculous now?”
“Don’t think about that, don’t think of it at all!” cried Alyosha. “And what does ridiculous mean? Isn’t every one constantly being or seeming ridiculous? Besides, nearly all clever people now are fearfully afraid of being ridiculous, and that makes them unhappy”
The Brothers Karamazov (via vorbadilitantului)

(via blacktout)


filmandimage:

1970 | ZABRISKIE POINT | Michelangelo Antonioni


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